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・ Sam Kilburn
・ Sam Kiley
・ Sam Kim
・ Sam Kim (chef)
・ Sam Kimber
・ Sam King
・ Sam King (baseball)
・ Sam Kinison
・ Sam Kirkwood
・ Sam Kirnon
・ Sam Kito III
・ Sam Klassen
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・ Sam Hughes (disambiguation)
・ Sam Hughes (Manitoba politician)
Sam Hughes (musician)
・ Sam Huihahau
・ Sam Hulbert
・ Sam Humphreys
・ Sam Humphries
・ Sam Hunt (American football)
・ Sam Hunt (Australian footballer)
・ Sam Hunt (musician)
・ Sam Hunt (poet)
・ Sam Hunt (Washington politician)
・ Sam Hunter
・ Sam Hunter (disambiguation)
・ Sam Huntington
・ Sam Hurd
・ Sam Hurst


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Sam Hughes (musician) : ウィキペディア英語版
Sam Hughes (musician)
:'' For other people of the same name see Sam Hughes (disambiguation)''
Sam Hughes (18 January 1824 – 1 April 1898) was the last great ophicleide player and one of the greatest who ever played the instrument in its short history.
==Biography==
Samuel Hughes was born in Trentham, Staffordshire, England, the son of a bricklayer.
In the mid-19th century the ophicleide was the bass-baritone instrument of the brass family, replacing the serpent and in turn being replaced by the euphonium. It was a keyed instrument (unlike the serpent), but without valves (unlike the euphonium).
Hughes began his career playing the ophicleide in one of the newly popular brass bands, the Cyfarthfa Brass Band in Merthyr Tydfil, Wales. He played with the band from the mid-1850s to about 1860. In 1860 the band won the national contest at The Crystal Palace, but Hughes was no longer with them. He also played with Louis Antoine Jullien's orchestra. There he became a star, known especially for his ophicleide solo of "Ruddier Than the Cherry" from ''Acis and Galatea''. Even George Bernard Shaw, who had written disparagingly of the instrument (it had been "born obsolete") was impressed with this song when he heard it at Covent Garden.
Hughes became professor of ophicleide at the Royal Military School of Music at Kneller Hall and at the Guildhall School of Music.
He died in poverty in 1898 in Reading, Berkshire, England. The ophicleide died with him. His widow received a small grant for his burial from the Royal Society of Musicians. His instrument is on display in the Cyfarthfa Castle Museum, known around the world as one of the best surviving examples of its type.

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